Trinity Grade 5 Music Theory

A complete course covering the Trinity Grade 3 Music Theory syllabus.

What you’ll learn
Pass Trinity Grade 5 Music Theory with Distinction!
Build on your knowledge of how music works, and how to pass the Trinity exam
Further your skills in composition and harmony
Practise your skills with the included PDF, exercises and tests!

Requirements
You should already have covered the topics in Trinity Grades 1-4 Music Theory
You don’t need any extra equipment or software to take this course – all materials are provided.
You need to be motivated to learn how music works

Description
Grade 5 Music Theory TrinityThis Grade 5 Music Theory video courses covers the Trinity syllabus in full.Rhythm and FormTime signatures of 4/2, 6/4 and 7/4Time signature changes within an extractRules for grouping note and rest values within new time signatures (including grouping indications at the beginning of bars or scores, e.g. 2,3 or 3,2)Grouping demisemiquavers (32nd notes) in simple and compound timeSemiquaver (16th note) tripletsThe breve (double whole note)Strophic, Verse and Refrain (or Chorus) and binary formsPitchNaming and using notes in tenor clefAb, Db, E and B major keys (for all major keys for the grade: scales, key signatures, one-octave arpeggios, broken chords and tonic triads (root, first or second inversion))F, Bb, C# and G# minor keys (for all minor keys for the grade: scales — natural (Aeolian mode) and harmonic and melodic, key signatures, one-octave arpeggios, broken chords and tonic triads (root, first or second inversion))Identifying the key of a piece in Ab, Db, E or B major, and F, Bb, C# or G# minor2nd degree of the major/minor scale being known as the supertonic or re (major keys only)Supertonic triads for all keys covered so farMajor/minor supertonic triad labelled:— as a chord symbol above the music (e.g. Dm in the key of C major or B dim (or B°) in the key of A minor)— as a Roman numeral below the music (e.g. ii in the key of C major or ii° (dim) in the key of A minor)Recognising imperfect cadencesDouble sharps and double flats and general enharmonic equivalentsRecognising and writing C and G pentatonic major scalesInversions of all intervals covered in Grades 1–4 within an octaveRecognising and writing accented passing notes and understanding acciaccatura, appoggiatura, upper and lower mordents and trillsUnderstanding upper and lower auxiliary notesWriting tonic, supertonic, subdominant, dominant or dominant 7th chords in root, first or second inversions in any key for the grade as well-balanced 4-part chords for SATBTransposing a tune up or down any major, minor or perfect interval within an octave (within the keys for the grade) or for transposing instruments for the gradeRanges of the alto saxophone in Eb and trumpet and clarinet in Bb as defined in the Trinity workbookConcept of modulationIdentifying a modulation to the dominant or the relative major/minor keysMusical terms and symbols

Overview
Section 1: Introduction

Lecture 1 Introduction to Trinity Grade 5 Music Theory

Section 2: Pitch

Lecture 2 Double Sharps and Flats

Lecture 3 The Tenor Clef

Section 3: Rhythm

Lecture 4 The Breve (Double Whole Note)

Lecture 5 Demisemiquavers (32nd Notes)

Lecture 6 Semiquaver (16th) Triplets

Lecture 7 Unusual Time Signatures (4/2, 6/4 and 7/4)

Section 4: Scales

Lecture 8 E Major Scale

Lecture 9 B Major Scale

Lecture 10 G# Minor Scale

Lecture 11 C# Minor Scale

Lecture 12 Ab Major Scale

Lecture 13 Db Major Scale

Lecture 14 F Minor Scale

Lecture 15 Bb Minor Scale

Lecture 16 Technical Names

Lecture 17 Scales in the Tenor Clef

Lecture 18 Pentatonic Major Scales

Lecture 19 Scales Reference Download

Section 5: Keys

Lecture 20 Relative Major and Minor Keys

Lecture 21 Key Signature Patterns

Lecture 22 The Circle of 5ths

Lecture 23 Identifying the Key

Lecture 24 Modulation

Lecture 25 Identifying Modulation

Section 6: Intervals and Transposition

Lecture 26 Inverted Intervals

Lecture 27 Transposition by Any Interval

Section 7: Harmony

Lecture 28 Chords ii and ii°

Lecture 29 Chord Symbols Review

Lecture 30 Imperfect Cadence

Lecture 31 SATB Voicing (Spacing)

Lecture 32 Writing Chords in 4-Part Harmony

Lecture 33 Accented Passing Notes

Lecture 34 Auxiliary Notes

Section 8: Style and Form

Lecture 35 Binary Form

Lecture 36 Strophic Form

Lecture 37 Verse and Refrain

Section 9: Orchestration

Lecture 38 Woodwind and Brass for Grade 5

Section 10: Musical Terms and Symbols

Lecture 39 Musical Terms and Symbols

Section 11: Ornaments

Lecture 40 Introduction to Ornaments

Lecture 41 Acciaccatura

Lecture 42 Appoggiatura

Lecture 43 Mordent

Lecture 44 Trill

Section 12: Composition

Lecture 45 Setting Words to a Rhythm – Review

Lecture 46 2-Part Compositions with Decoration and Chord Inversions

Lecture 47 2-Part Composition – Adding the Melody to a Bass

Lecture 48 2-Part Composition – Adding the Bass to a Melody

Section 13: Practice Test

Lecture 49 Trinity Grade 5 Practice Test

This course is for candidates preparing for Trinity Grade 5 Music Theory

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