Portrait Painting Of Tuscan Girl In Oil Colour Series 7

“Foundations of Portrait Painting: Unlocking Professional Techniques”

What you’ll learn
Getting To know How To Get The Likeness Of The Model
Mixing Skin Tones With Ease
Understanding the hue ,value , edges, chroma or intensity of colour
Anyone can draw or paint if given proper guidance

Requirements
should have interest in drawing and painting

Description
This comprehensive course is designed for dedicated individuals with a strong interest in portrait painting. Rooted in the Alla Prima style, it enables students to expertly craft portraits in just two sessions. Participants will develop a deep understanding of achieving likeness through robust drawing skills and a mastery of light and shadow dynamics. The course places significant emphasis on refining brushwork techniques. Exploring the versatility of Oil Paint for portraiture, students will appreciate its expansive colour palette, layering capabilities, and tonal range. Key concepts such as edges, focal point creation, fundamental colour theory, and the interplay of value and colour relationships are thoroughly explored. Precision in capturing facial and figure details is a focal point, with the promotion of tools like plumb lines for precision. This course underscores the potency of portraits in conveying individual essence and constructing captivating narratives. It is tailored for students eager to excel in oil-based portrait painting, who are committed to consistent practice and motivated to expand their artistic repertoire.Who Should Enrol:Aspiring artists interested in learning portrait painting with oil colours.Individuals willing to dedicate a few hours daily to their artistic practice.Enthusiasts ready to take action and produce remarkable artwork.Those seeking to add a valuable skill to their toolkit.This course accommodates both beginners and advanced students, catering to a wide range of skill levels.

Overview
Section 1: Introduction

Lecture 1 Introduction

Section 2: Instructor Introduction

Lecture 2 Instructor Introduction

Section 3: Materials & Medium

Lecture 3 Materials & Medium

Section 4: Drawing Stage Block-In

Lecture 4 Drawing Stage Block-In

Section 5: Drawing Stage – Tonal Colour

Lecture 5 Drawing Stage – Tonal Colour

Section 6: Putting Big Colours

Lecture 6 Putting Big Colours

Section 7: Putting Skin Colours

Lecture 7 Putting Skin Colours

Section 8: Putting Big Local Colours

Lecture 8 Putting Big Local Colours

Section 9: Putting Big Local Colours Continues

Lecture 9 Putting Big Local Colours Continues

Section 10: First Painting of Tree

Lecture 10 First Painting of Tree

Section 11: First Painting of Tree & Branches

Lecture 11 First Painting of Tree & Branches

Section 12: First Painting of Background

Lecture 12 First Painting of Background

Section 13: Adding the Leaves

Lecture 13 Adding the Leaves

Section 14: Painting the Background

Lecture 14 Painting the Background

Section 15: Painting the Leaves & Sky

Lecture 15 Painting the Leaves & Sky

Section 16: Painting the Leaves & Olives

Lecture 16 Painting the Leaves & Olives

Section 17: Painting the Background Continues

Lecture 17 Painting the Background Continues

Section 18: Painting More Leaves & Building Texture

Lecture 18 Painting More Leaves & Building Texture

Section 19: First Painting the Tree

Lecture 19 First Painting the Tree

Section 20: Creating Texture on the Tree

Lecture 20 Creating Texture on the Tree

Section 21: Creating Texture Continues

Lecture 21 Creating Texture Continues

Section 22: Painting the Hair & the Background

Lecture 22 Painting the Hair & the Background

Section 23: Painting the Big Planes of Hair

Lecture 23 Painting the Big Planes of Hair

Section 24: Painting the Hair Continues

Lecture 24 Painting the Hair Continues

Section 25: Second Painting the Skin Tones

Lecture 25 Second Painting the Skin Tones

Section 26: Second Painting of the Forehead Continues

Lecture 26 Second Painting of the Forehead Continues

Section 27: Second Painting of the Nose

Lecture 27 Second Painting of the Nose

Section 28: Second Painting of the Nose Continues

Lecture 28 Second Painting of the Nose Continues

Section 29: Second Painting the Eye

Lecture 29 Second Painting the Eye

Section 30: Second Painting the Eye

Lecture 30 Second Painting the Eye

Section 31: Second Painting the Lips

Lecture 31 Second Painting the Lips

Section 32: Second Painting the Cheek

Lecture 32 Second Painting the Cheek

Section 33: Second Painting the Cheek Continues

Lecture 33 Second Painting the Cheek Continues

Section 34: Second Painting the Chin

Lecture 34 Second Painting the Chin

Section 35: Second Painting the Ear

Lecture 35 Second Painting the Ear

Section 36: Second Painting the Ear Continues

Lecture 36 Second Painting the Ear Continues

Section 37: Second painting the Neck

Lecture 37 Second painting the Neck

Section 38: Finishing painting the Neck

Lecture 38 Finishing painting the Neck

Section 39: Final Touches

Lecture 39 Final Touches

For beginners to Advanced learners